Oliver Mills · Technical Marketing Specialist · Fujifilm · FESPA Munich 2023

Peak Performance Print Experience · Reporting from Fujifilm event in Brussels - Day 2

On September 29th, Fujifilm delivered an excellent presentation of their latest products. The second day focused on Fujifilm Jet Press 750s, and about 50-60 people from the UK, Benelux, and Scandinavia showed up. The agenda was to hear, see, and even touch the new Fujifilm Jet Press 750s. INKISH covered the event with numerous interviews you can find on INKISH.TV. On day two, we took the opportunity to look at many aspects of Fujifilm's graphic offerings as well as the Peak Performance Print demonstrations - so enjoy this really great film - filmed and edited by Jan Majnik, INKISH - of course :-)

The Jet Press is robust technology with high uptime · Simon Howe · Fujifilm

The Peak Performance Print Experience event in Brussels was two one-day events where Fujifilm employees, customers, resellers, and press got an excellent chance to learn, mingle, and of course, do business. Simon Howe is a Digital Printing Solutions Manager with Fujifilm and a background as a PSP giving him a wealth of knowledge to share. But listen for yourself, and remember to enjoy! LinkedIn Profile: https://www.linkedin.com/in/simon-howe-a6b92a162/

Peak Performance Print Experience · Reporting from Fujifilm event in Brussels

On September 28th, Fujifilm delivered an excellent presentation of their latest products. About 100+ people from mainly Germany, Austria, Italy, Spain, and Portugal met in the Fujifilm demo center located near the airport. The agenda was to hear, see, and even touch the new Fujifilm Jet Press 750s + the Revoria PC1120. INKISH covered the event with numerous interviews that you soon can find on INKISH.TV - so start here with our "postcard" from Day One.

Mark Stephenson · Fast Forward · The Church Minister · Printer · Wharfedale · S750

My father, who was a church minister. He would use, I guess, a Techni Duplicator to publicize his rallies and meetings. And try to bring people to Jesus. All this blessed thing, he would say. It's been the first time I ever saw print happening. There was the smell of the ink. Things took a long time. And sometimes it was not just budget. It was like you wanted to do something now. You could have 30 or 50, 100 within half an hour. Somebody comes up with a bright idea. And when you look at the background to it, you find out: Actually, that's how things used to be. But just framed in a different story. By 1977, this was me. Handsetting type. Out by the poster machines this was. You've got a very tight set of constraints to be able to design something. You know, putting text on a curve is like: Whoa! I'm one of those sort of sub creative people that knows when they look at something, if it's right or not. A lot of the terms we use today go back to letterpress composing. So, leading between lines was a physical piece of lead. When two characters are one like ‘fi’ and ‘ffi’. We call it a ligature. This is a Wharfedale. The one I operated was called an Elliott. But it was all out of the same factory in Otley. It was a double Demy press. That was the biggest sheet it would take. And I would hand feed this press. And hand ink it. On my training, I was told: Never walk around the back of this machine. The last person that did that when it was running, lost their leg. It was taken at our Advanced Print Technology Center in Brussels. Where I haven't been in fourteen months. And I've been here in this room with the exception of one trip. I have this picture on my desktop. And on another screen, I have a picture of that old press. I can see the journey I took. And this process has been my life now for around four years. We're reaching the speed. An offset B2 press. It's bringing together a whole team of people. To achieve what we've done. But at the moment we're being quiet about it.